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Cook plays Charlie, a dentist who suffers from a curse placed upon him by a goth girl he spurned in junior high. To be fair, the plot does call for a lot of nudity. He has no problem with bad dialogue and never misses an opportunity to strip down to his undies and show off his only indisputable assets. The movie does suggest he’d make a fine porn star. But if the logic of “Good Luck Chuck” holds, the next movie I see should be a masterpiece.There’s got to be some explanation why Dane Cook is a movie star, although his new romantic comedy “Good Luck Chuck” provides scant evidence of the usual reasons like exceptional comedic or dramatic talent. When the local ladies find out about this, Chuck gets a lot of action, but then - after a long, split-screen montage of his priapic exertions - he starts to feel empty and used. Cook) suffers under a curse that causes every woman he goes to bed with to fall in love with the next guy who asks her out. What passes for cleverness is the movie’s central conceit: Chuck (that would be Mr. It all ends with the guy running through the airport to bring back the girl, who’s about to take off for Antarctica. (Typing that phrase turns out to be kind of amusing, but trust me, you don’t need to see it.) Apparently the very notion of fat women having sex is screamingly hilarious, though not as funny as the image of a three-breasted woman or a chubby man having sex with a grapefruit. Her brother (Lonny Ross) smokes a lot of pot. Alba’s character is crazy about penguins. Cook’s character has a doofus friend (Dan Fogler, in case “Balls of Fury” didn’t satisfy your need to be reminded of his existence). Instead they offer breasts, penis jokes and a cavalcade of wildly unoriginal ideas. What they end up proving (by negative example) is that even lowbrow comedy requires skill and intelligence. The makers of “Good Luck Chuck” (it was directed by Mark Helfrich from a script by Josh Stolberg) try for the blend of filth and sentimentality that has made movies like “The Wedding Crashers” and the recent productions of the Judd Apatow atelier such big hits. They want to see her in her underwear and also to confront one of the central cultural questions of our time: will she take her top off? To be fair (but why?) she does expend a little effort in “Good Luck Chuck,” pretending to be goofy and clumsy, doing stuff like running into a metal pole, catching her skirt in a car door and upending a tray of dentist’s instruments.īut the main audience for this dim little sex comedy has no particular interest in seeing Ms. Whether Jessica Alba, his co-star, acquired her acting credentials by similar means is an issue that will be addressed if she ever tries to act.
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Or maybe he answered an ad in the back of a magazine and sent away for a mail-order license to practice comedy. Cook is some new kind of conceptual satirist whose shtick is to behave in the manner of a person attempting to be funny without actually being, you know, funny. I find this confusing, since my understanding is that comedians are people who say and do things that are funny. I’ve occasionally heard Dane Cook, one of the stars of “Good Luck Chuck,” described as a comedian.